FILLMORE DISCOS 24

A couple of forgettable Hollywood movies, the usual UK-produced rubbish, and some bloodsoaked French horror, the latter of which is unmissable.

Yes Man (**)
Carrey moves back into more familiar Liar Liar territory with a comedy that certainly has sporadically good moments; however, the initially interesting premise is undermined by its relentless path towards formulaic romcom mediocrity

Killshot (*)
ugly charmless trash about stupid macho guys with big guns - Rourke, laughably here playing a Native American Indian, needs to quit now while he's still marginally ahead

Easy Virtue (*)
not a single member of this cast has any sense of timing or delivery of what is already a spectacularly unfunny script for this poorly directed BBC production based on Noel Coward's comedy of manners

Frontière(s) (*)
weakly scripted, badly acted rubbish: in particular, the annoying super-fast edits are so noobishly straight-out-of-film-school, as are its naive attempts at social commentary amidst the gory horror - best to stick to the films it tries to borrow from

À l'intérieur (****)
the construct of nightmares: absurd, bloody, implausible, surreal - that it works is entirely thanks to the incomparably haunting presence of the magnificent Béatrice Dalle, whose visage synthesises beauty and horror as one