as a big fan of the fake documentary shaky-cam horror genre, I'm not sure how I missed this; anyway, this Japanese film from 2005 is for me the best one yet - its two hour duration, so well paced, enacted, edited, and crafted, absolutely flies by as it hurtles towards the shocking climax of the final scenes
American: The Bill Hicks Story
the worst thing about death is how all the parasites come out to feed on the sorry corpse: here we have Bill Hicks' parents, to help shore up their comfort in retirement, attempting a deeply hypocritical sanitised rehistoricisation of his brilliant but tragically short-lived career; a bunch of useless stand-up Houston and LA comics shamelessly revelling in the opportunity for some reflected glory; and documentary filmmakers far more focused on self-congratulation for their ludicrous annoying graphic flourishes than in keeping the viewer informed as to who's talking about what and when
Saw: The Final Chapter
a poor and pointless implementation of 3D, a couple of scenes that I sense have been gratuitously tacked on, and subpar casting for the new roles, are all irrelevant flaws; this latest edition is packed with tons of wonderfully gory new content with a subtle undercurrent of eroticism to the proceedings; there is also what amounts to a cameo role by the incredibly hot Tobin Bell, devastating in its impact, along with an even more badass than usual Betsy Russell, who is equally sexy; if only art installations were as good as the traps in Saw
The Loved Ones
Robin McLeavy as the psycho-girl who doesn't take kindly to rejection by men is the best thing about this derivative Aussie horror, a film which starts promisingly before getting bogged down in a stupid chase narrative with utterly predictable results
Inception
something for the big-budget special FX action-film popcorn brigaders to feel like they're intelligent - have you ever felt condescended by a dreadful script full of stoopid explanation and re-explanation?
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