RUBBER STAMPS

So the question used to ask myself in the process of musical creation is: how can this music affect in a way that causes to : go to that special place, and : allow these very special emotions : come out to play? In such a way that no matter how hard we try to deny that desire, it takes on a life of its own, compelling, vivid, real, where you’re prepared to take this stranger’s hand that leads you into the woods: yes, I want to step into this special place and explore something risky, exciting, dangerous, and to some potentially even life-changing.

And that’s really the only criterion by which it can be measured. There is really no other incentive.