reading
Wickedary - Mary Daly & Jane Caputi
Amazon Grace - Mary Daly
Fanged Noumena - Nick Land
Killing Pablo - Mark Bowden
listening
Sticks, Stones & Breaking Bones - Will Guthrie (LP)
Before Turning The Gun On Himself - Doug Stanhope (CD)
Golden Rhythm / Ink Music - Volcano The Bear (CD)
A Question Of Re-Entry - Cindytalk/Philippe Petit (12")
viewing
Cave Of Forgotten Dreams - Werner Herzog
Into The Abyss - Werner Herzog
Herb And Dorothy - Megumi Sasaki
Curb Your Enthusiasm (seasons 1-8) - Larry David
ACQUISITIONS 17
ACQUISITIONS 16
ACQUISITIONS 15
Monday, April 23, 2012
Thursday, April 19, 2012
Wednesday, April 18, 2012
FILLMORE DISCOS 69
Star 80, 1983 (****)
a thoroughly absorbing dramatisation of the events leading up to the murder of Playboy centrefold extraordinaire Dorothy Stratten, and is even creepier than it first appears: Bob Fosse's attention to detail is disturbing, for example even the murder scene is shot in exactly the same room the crime took place, and this for a film made only shortly after her death; while Mariel Hemingway is intelligent and thoughtful in the main role, Eric Roberts, as Paul Snider the lowlife who discovered Stratten in Vancouver, hammily camps it up way too hard - in reality, Snider was clearly just another Stratten-obsessed straight loser (as is the thoroughly unpleasant Peter Bogdanovich, represented in the film under another name)
Red State, 2011 (*)
Kevin Smith breaks from his comfort zone to attempt horror, dark comedy, and social commentary all in the same film, and it sucks on each count: the horror is sub-Rob Zombie verging on plagiarism, comedy doesn't work when it's not funny, and the social commentary is embarrassingly dumbed-down (a clumsy merging of the infamous Westboro Baptist Church and events at the Branch Davidian compound in Waco)
Breakin', 1984 (****)
now lovingly restored on DVD and it's a treat; amazing original breakdancing scenes from Los Angeles, riotously colourful wardrobes, an incredibly high quality 80s electro/freestyle soundtrack, and all played out with such beautiful innocence and sincerity
Breakin' 2: Electric Boogaloo, 1984 (*****)
this sequel, released a mere six months after the original Breakin', is even better than the first! added to the successful cocktail is a really touching narrative that effortlessly and uniquely manages to subvert all kinds of established stereotypes; the finale is ridiculously uplifting
Beat Street, 1984 (****)
if not for the weak narrative and porn-quality acting, Beat Street is unmissable for the phenomenal real-life B-boy battle scenes at the Roxy nightclub between the Rock Steady Crew and NYC Breakers
Wild Style, 1983 (****)
as with Beat Street, Wild Style is an extraordinary document of its times, when rap hadn't really been fully co-opted and (to an extent) neutered by the music industry and capitalism in general; the performances here of a very young Rock Steady Crew, Double Trouble, and Grandmaster Flash are electrifying; as if all that wasn't enough, the film features a 19-year-0ld Sandra Fabara (legendary graffiti artist Lady Pink) as Lee Quinones' love interest
FILLMORE DISCOS 68
FILLMORE DISCOS 67 - 70s RARITIES 6
FILLMORE DISCOS 66 - 80s RARITIES 5
a thoroughly absorbing dramatisation of the events leading up to the murder of Playboy centrefold extraordinaire Dorothy Stratten, and is even creepier than it first appears: Bob Fosse's attention to detail is disturbing, for example even the murder scene is shot in exactly the same room the crime took place, and this for a film made only shortly after her death; while Mariel Hemingway is intelligent and thoughtful in the main role, Eric Roberts, as Paul Snider the lowlife who discovered Stratten in Vancouver, hammily camps it up way too hard - in reality, Snider was clearly just another Stratten-obsessed straight loser (as is the thoroughly unpleasant Peter Bogdanovich, represented in the film under another name)
Red State, 2011 (*)
Kevin Smith breaks from his comfort zone to attempt horror, dark comedy, and social commentary all in the same film, and it sucks on each count: the horror is sub-Rob Zombie verging on plagiarism, comedy doesn't work when it's not funny, and the social commentary is embarrassingly dumbed-down (a clumsy merging of the infamous Westboro Baptist Church and events at the Branch Davidian compound in Waco)
Breakin', 1984 (****)
now lovingly restored on DVD and it's a treat; amazing original breakdancing scenes from Los Angeles, riotously colourful wardrobes, an incredibly high quality 80s electro/freestyle soundtrack, and all played out with such beautiful innocence and sincerity
Breakin' 2: Electric Boogaloo, 1984 (*****)
this sequel, released a mere six months after the original Breakin', is even better than the first! added to the successful cocktail is a really touching narrative that effortlessly and uniquely manages to subvert all kinds of established stereotypes; the finale is ridiculously uplifting
Beat Street, 1984 (****)
if not for the weak narrative and porn-quality acting, Beat Street is unmissable for the phenomenal real-life B-boy battle scenes at the Roxy nightclub between the Rock Steady Crew and NYC Breakers
Wild Style, 1983 (****)
as with Beat Street, Wild Style is an extraordinary document of its times, when rap hadn't really been fully co-opted and (to an extent) neutered by the music industry and capitalism in general; the performances here of a very young Rock Steady Crew, Double Trouble, and Grandmaster Flash are electrifying; as if all that wasn't enough, the film features a 19-year-0ld Sandra Fabara (legendary graffiti artist Lady Pink) as Lee Quinones' love interest
FILLMORE DISCOS 68
FILLMORE DISCOS 67 - 70s RARITIES 6
FILLMORE DISCOS 66 - 80s RARITIES 5
Tuesday, April 10, 2012
CUT HANDS UPDATE 13
There's a special collection of Cut Hands booty at Ebay, all proceeds to Collapse journal!
New tracks completed (no release plans as yet!):
Nine-Night
Black Mamba
Pains Part Of The Dilemma
Nzambi Ia Ngonde
54 Needles
Palo Mayombe
Forthcoming shows:
14th April : info (Stockholm, Sweden)
27th April : Power Lunches (London, UK) + Maria & The Mirrors
5th May : Cripta 747 (Torino, Italy)
27th May : Sub Club (Glasgow, UK)
25th May : WGT Festival (Leipzig, Germany)
21st July : tbc (Edinburgh, UK)
tbc September : tbc (USA tour)
2nd October : tbc (Berlin, Germany)
13th October : tbc (London, UK)
27th October : NK (Berlin, Germany) + Marcus Schmickler + Florian Hecker
New tracks completed (no release plans as yet!):
Nine-Night
Black Mamba
Pains Part Of The Dilemma
Nzambi Ia Ngonde
54 Needles
Palo Mayombe
Forthcoming shows:
14th April : info (Stockholm, Sweden)
27th April : Power Lunches (London, UK) + Maria & The Mirrors
5th May : Cripta 747 (Torino, Italy)
27th May : Sub Club (Glasgow, UK)
25th May : WGT Festival (Leipzig, Germany)
21st July : tbc (Edinburgh, UK)
tbc September : tbc (USA tour)
2nd October : tbc (Berlin, Germany)
13th October : tbc (London, UK)
27th October : NK (Berlin, Germany) + Marcus Schmickler + Florian Hecker
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